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Chris Thile and Sam Amidon

Chris Thile and Sam Amidon

Chris Thile and Sam Amidon

Celtic Connections

Book tickets

£24.64 (includes booking fee)
All ages, 18+ years
A 12% booking fee is included in the ticket price, as advertised. At check-out this fee will be shown separately for receipt purposes and to ensure the face value of your ticket is correct. Prices are subject to change. Prices may vary on the night of a show. Transactions fees may vary depending on event.
0141 353 8000
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Dates and times

Sunday 13 November 2022
7:30PM - 10:00PM

MacArthur Fellow and Grammy Award-winning mandolinist, singer, songwriter Chris Thile, who the Guardian calls "that rare being: an all-round musician who can settle into any style, from bluegrass to classical,” and NPR calls a "genre-defying musical genius," is a founding member of the critically acclaimed bands Punch Brothers and Nickel Creek. For four years, Thile hosted public radio favourite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). With his broad outlook, Thile creates a distinctly American canon and a new musical aesthetic for performers and audiences alike, giving the listener “one joyous arc, with the linear melody and vertical harmony blurring into a single web of gossamer beauty” (New York Times).

Most recently, Chris recorded Laysongs, out June 4, 2021 on Nonesuch. The album is his first truly solo album: just Thile, his voice, and his mandolin, on new recordings of six original songs and three covers, all of which contextualize and banter with his ideas about spirituality. Recorded in a converted upstate New York church during the pandemic, Laysongs’ centerpiece is the three-part “Salt (in the Wounds) of the Earth,” which was inspired by C.S. Lewis’s The Screwtape Letters. The album also features a song Thile wrote about Dionysus; a performance of the fourth movement of Béla Bartók’s Sonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; a cover of bluegrass legend Hazel Dickens’ “Won’t You Come and Sing for Me,” and “Ecclesiastes 2:24," original instrumental loosely modeled after the Prelude from J.S. Bach’s Partita for Solo Violin in E Major.

Venue Map

Venue

Glasgow Royal Concert Hall, New Auditorium

2 Sauchiehall Street, Glasgow, G2 3NY